St John’s Copthorne glass
RAAC concrete
still let me guard the holy fire, and still stir up the gift in me
How do you address a bishop?
https://www.crockford.org.uk/faq/how-to-address-the-clergy
In the case of an archdeacon, dean/provost, bishop, or archbishop in office, the style above is to be preferred. The personal name should be used only for the purpose of identification.
Notes
Several years ago, a young friend announced that for their Lenten Discipline that year, they were going to drink just water, and eschew fruit juice and squash, tea and coffee (they were a bit young to have even got to the whole alcohol thing…).
“I can do that too!” I chimed in with him.
I mean, what could be simpler? There is always water everywhere, isn’t there? It’s hardly an imposition, it’s not difficult, is it‽ But, golly gosh, it was! Much harder than I had expected.
I don’t think I’m a caffeine addict, and I have never been alcohol dependent, though I enjoy a glass of wine or bubbly, and get through a lot of Earl Grey and cafetières of fresh coffee.
Having water at mealtimes is a good reminder for me of God’s provision. That it is water, and not something else to drink, makes me stop, and pause, and notice, and remember, with each sip.
I have done this a number of times in Lent over the years now. It is quite a challenge each time, still. And no, I don’t think there’s a single year that I have managed the challenge succesfully. Each year I have made at least one mistake; with a first coffee of the morning, even a glass of prosecco one time, that I didn’t clock until about an hour later! I have a house rule that I don’t choose anything other than water; but when someone else, unknowing, makes a drink for me, I accept with grace and don’t turn it away. But most days of most weeks in Lent, it has remained a helpful penitential challenge and learing experience. I commend it to you.
As a coda, I am conscious of the element of inverted snobbery latent in making this choice of Lenten fast. ‘Just a glass of water, please…’. It really impacted negatively on a residential group of friends I was with one year. It does affect other people’s choices around me. Sometimes others end up paying part of the price of the sacrifice that I have chosen, and they have not.
CS Lewis identified another subtle element: The mother of Wormwood’s ‘patient’ in Screwtape Letters, is a chastening example of how seeking minimalism can curiously end up maximising in unexpected ways:
The Screwtape Letters XVII
MY DEAR WORMWOOD,
The contemptuous way in which you spoke of gluttony as a means of catching souls, in your last letter, only shows your ignorance. One of the great achievements of the last hundred years has been to deaden the human conscience on that subject, so that by now you will hardly find a sermon preached or a conscience troubled about it in the whole length and breadth of Europe. This has largely been effected by concentrating all our efforts on gluttony of Delicacy, not gluttony of Excess.
Your patient’s mother, as I learn from the dossier and you might have learned from Glubose, is a good example. She would be astonished—one day, I hope, will be—to learn that her whole life is enslaved to this kind of sensuality, which is quite concealed from her by the fact that the quantities involved are small. But what do quantities matter, provided we can use a human belly and palate to produce querulousness, impatience, uncharitableness, and self-concern? Glubose has this old woman well in hand. She is a positive terror to hostesses and servants. She is always turning from what has been offered her to say with a demure little sigh and a smile “Oh please, please . .. all I want is a cup of tea, weak but not too weak, and the teeniest weeniest bit of really crisp toast”.
You see? Because what she wants is smaller and less costly than what has been set before her, she never recognises as gluttony her determination to get what she wants, however troublesome it may be to others. At the very moment of indulging her appetite she believes that she is practising temperance. In a crowded restaurant she gives a little scream at the plate which some overworked waitress has set before her and says, “Oh, that’s far, far too much! Take it away and bring me about a quarter of it”. If challenged, she would say she was doing this to avoid waste; in reality she does it because the particular shade of delicacy to which we have enslaved her is offended by the sight of more food than she happens to want.
The real value of the quiet, unobtrusive work which Glubose has been doing for years on this old woman can be gauged by the way in which her belly now dominates her whole life. ‘The woman is in what may be called the “All-I-want” state of mind. All she wants is a cup of tea properly made, or an egg properly boiled, or a slice of bread properly toasted. But she never finds any servant or any friend who can do these simple things “properly”— because her “properly” conceals an insatiable demand for the exact, and almost impossible, palatal pleasures which she imagines she remembers from the past; a past described by her as “the days when you could get good servants” but known to us as the days when her senses were more easily pleased and she had pleasures of other kinds which made her less dependent on those of the table.
Meanwhile, the daily disappointment produces daily ill temper: cooks give notice and friendships are cooled. If ever the Enemy introduces into her mind a faint suspicion that she is too interested in food, Glubose counters it by suggesting to her that she doesn’t mind what she eats herself but “does like to have things nice for her boy’’. In fact, of course, her greed has been one of the chief sources of his domestic discomfort for many years.
Screwtape on Archive
The Queen’s long reign is like a tune, like a melody line running throughout our lives. She has been a constant. Her visage instantly recognisable, her voice and mannerisms easily identifiable.
Of the melodies we know, apparently globally the tune we are all most familiar with, and share in signing together most, is – Happy Birthday. In the UK, probably the next most familiar song we know the words of and sing together, is God save our gracious Queen. Or it has been until we now all try and remember to sing King. But it is not just this tune I mean when I speak of the Queen’s reign running like a melody. It’s more about the Queen herself. Her life, as a musical metaphor.
In music, a tune or theme returning and overlapping is called a canon. Perhaps our most familiar examples are the likes of Frère Jacques and Row, Row, Row Your Boat. Even a melody as simple as these can be transformed using this repetition, creating some complex chords. Where the theme returns on a different note of the scale the form may be called a fugue. Other, different, musical lines may also play along with the original melody. They may be alternative melodies, or harmonies. The main melody will still remain the dominant theme.
There are many other musical ‘variations’ and metaphors. However, it is the main melody, the Queen Elizabeth melody, that is the important one for us here. Her theme: a solo, a chorale, building to a symphony, and reducing back down to a sole piper. Her theme has elements of so many musical styles – drawing on classical and spiritual musical themes, pre-dating Elvis or the Beatles, loving the sparkle of the stage musical and the military band, the musical performances at Her Majesty’s pleasure that have touched the heart and raised the spirit over so many decades.
The Queen’s tune has led our country these 70 years. Some have followed her theme, joined in her theme, harmonised and improvised – and perhaps some contrasted dissonantly. Her theme remains memorable, with a musical hook that many will be humming for generations after this second Elizabethan era. Sounding now a rich harmony, with variations added – the original theme remains central.
Just as I was appointed archdeacon, but before I had left my Sussex parish, the Deputy Lieutenant kindly asked if he might arrange an invitation for me to a Royal Garden party. I was really touched by the thought, but knew that bishops – and probably deans and archdeacons – got invitations regularly, I suggested that perhaps my long-serving curate/assistant priest colleague in the parish was a more appropriate recipient of an invitation.
The American theologian William P. Merrill said “There is nothing in the world so much like prayer as music is”, and music and prayer have been twin active faith elements throughout the Queen’s life.
Following the discovery of Sabina Nessa ‘s body near the OneSpace community centre in Kidbrooke, the Diocese of Southwark was asked for a comment.
This video of the live interview with Alastair Cutting, Archdeacon of Lewisham & Greenwich, was broadcast by BBC News on 24 September 2021.
As well as focussing on the shocking murder of local teacher Sabina Nessa, the video includes mention of:
As a new priest in Sheffield, Alastair Cutting had been involved with some of the afterath of the Hillsborough disaster.
With thanks to Megan Paterson for forwarding a copy of the interview. The video clip is 4’53” long.
There was an invitation to write prayers of support for those joining the Young Christian Climate Network (YCCN) Pilgrimage Relay to COP26, the UN Climate Change Conference taking place in Glasgow from the 1st-12th November 2021.
As some of our Woolwich Episcopal Area Youth Forum in Southwark Diocese are involved in the Canterbury Tributary in August, I wrote a prayer to be included amongst the contributions:
Creator God, we treasure the awesome wonder and intricate beauty of the world you have given us stewardship over.
We marvel at the diversity of the creatures and plants you have made, regretting that we have not taken better care of your world, of our world.
Jesus observed the farmer sowing, and walked with his disciples through harvest-ready wheatfields; he valued the fruit of the fig tree and the vine. He knew where the foxes had holes and the birds of the air their nests; he had an eye and heart for your world, for its plants and creatures and people.
As we walk in the footsteps of Jesus’ disciples on our own pilgrimage of faith, Lord teach us to value your gifts of creation and salvation, that we may be transformed and transforming.
May the sovereignty of your kingdom come on earth, as it is in heaven, and give us the courage and strength to help bring it about; through Jesus Christ our Lord. Amen.
Alastair Cutting :: August 2021
Friends of the Church in India Day Service – 5 Oct 2019
Theme of the day: Christian relationships with other faiths
Sermon by The Venerable Alastair Cutting, Archdeacon of Lewisham & Greenwich
Acts 17:16-34; John 14:15-21;
Beauty for Brokenness: Graham Kendrick
All of my earliest childhood memories are Indian.
My parents had been doing their missionary training at one of the Selly Oak colleges in Birmingham when I was born, and the three of us arrive together in India when I was aged about 18 months old.
We lived most of the next 12 years in a small rural town called Jammalamadugu, in the Cuddapah district of Andhra Pradesh, in the Rayalaseema Diocese of the CSI.
A few years later, my sister was born in India, in the CMC hospital in Vellore, even sharing the initial of her name CMC with the hospital she was born in.
If you wanted to understand some of our Indian heritage as a family, you might share the confusion that the Registrar of Births had when my father went to register my sister Catriona’s birth.
“So, your daughter was born in India, so her nationality is Indian!”
“Well, no, said my father, she has the same nationality as me, and I am British.”
“Ok, said the birth Registrar, so where were you born?”
My father explained that as his parents had previously also been medical missionaries in India, in Chik Ballapur, near Bangalore, so he William Cutting had in fact been born in India.
“Then she is Indian! replied the Registrar!”
Well, no, explained my father patiently, he was British because his father was British.
“So where was your father born?”
Well, said my father, his father Cecil Cutting’s parents had actually also been missionaries in India, as teachers, since 1893, so his father had also been born in Ranikhet, then later lived in Benares/Varanasi in India.
“So she IS Indian!” exclaimed the Registrar, triumphantly!
There was the a scurry to provide birth certificates and marriage certificates for my father William Cutting, my grand father Cecil Cutting, and my great-grandfather also William Cutting, before my sister could have her nationality confirmed as British. Which was complicated, as there were no Birth certificates in the 1850s when my great grandfather William was born!
A Baptism Certificate fortunately sufficed.
(From a sermon preached on the Centenary of the World War 1 Armistice)
Around the church are a number of pictures of a young First World War soldier.
Let’s hear a bit of his story.
He was the son of a missionary teacher family who were living and working in India, as he approached secondary school age, Cecil George was sent to boarding school.
The young scholar was at a school just over a mile from here, at Eltham College.
He was a lively student, who particularly loved his sport.
Athletics; and cricket mainly.
Cricket.
The school regularly played other teams, and had several matches against the world famous local cricketer, WG Grace.
There’s a record of a match where the great WG was bowling against the young Cecil George.
Cecil George was one of the best all rounders in the team.
But not on this occasion.
Cecil George, bowled out by WG, for a duck!
He left school in July 1915 age 18. He was not called up at once, and the Academic year 1915-16 he spent at Imperial College reading Chemistry.
Then he was called up at the end of the Summer term of 1916. Cecil George was Gazetted as of the 27 Nov 1916 and recorded in the Royal Garrison Artillery.
He did his basic training in the Infantry.
At the end of this they asked:
“Who has Matric Maths?â€
“I do!†Says Cecil George.
“Right, if you can count more than two legs, you are going to be in the Cavalry!â€
Off he goes and does the basic training for the Cavalry in Exeter.
At the end of that basic cavalry training they said
“Who has Higher Maths?â€
“I do !†says Cecil George.
“Right, if you can plot graphs and trajectories, you are going to be in the Artillery!â€
So off he goes and does the basic training for the gunners.
He ended up a with the Royal Garrison Artillery on the Selonica Front, not far from the Greek border across into Turkey.
The RGA was often supported by the Royal Flying Corps (RFC) who had devised a system where pilots could use wireless telegraphy to help the artillery hit specific targets. Years later it became clear that Cecil George was involved going up in these ‘string bag’ aeroplanes of that era, as a “spotter†for targets! This was very early in the history of flight, and must have been some adventure for the young soldier!
Continue reading “Armistice Centenary – and an Eltham soldier”I was introduced to The Bright Field by a friend, Robin, whilst we were on a course a few years back.
I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the pearl
of great price, the one field that had
treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurryingon to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but is the eternity that awaits you.The Bright Field
by R. S. Thomas (1913-2000)
Audio file via PoeticTouch.
But why has Hillsborough bring this poem to mind?
I’ve blogged before that I was a local curate at the time, and involved in some of the immediate aftermath. One of my strong memories, as I walked back down ‘the tunnel’ a couple of times afterwards, was the contrast of the bright green playing field in the sun seen from the shadows of the tunnel.
The field is so inviting. You can see it. You can almost touch it. There’s ramp, a slope down to it. It’s just … there.
There is an American sports movie called the Field of Dreams, encapsulating the draw – particularly but not exclusively – for some men to sports, to team games, and to the playing field, or pitch, or ground, since many sports are popular, like soccer or golf, which you can play indoors or outdoors if you have the right equipment for this.
Hymns ‘don’t often make good theology’ – though they may be better at theology than movies are. But even here we may get glimpsesof heaven, as Ray Kinsella found in the film.
John Kinsella: Is this heaven?
Ray Kinsella: It’s Iowa.
John Kinsella: Iowa? I could have sworn this was heaven.
[starts to walk away]
Ray Kinsella: Is there a heaven?
John Kinsella: Oh yeah. It’s the place where dreams come true.
[Ray looks around, seeing his wife playing with their daughter on the porch]
Ray Kinsella: Maybe this is heaven.
The Field of Dreams – 1989 Phil Alden Robinson Universal/TriStar
Jesus likens the Kingdom of Heaven to treasure in a field, and to a pearl of unfathomable value, of great price; in Matt 13:44-46. Both are images that R.S. Thomas specifically references in the poem. Not a great surprise, perhaps, for the Welsh priest/poet that he was.
That field. Seen it. Forgotten it. But now having seen it again, illuminated, incandescent, Thomas goes on: I realise now that I must give all that I have to possess it.
These sports grounds, these football fields are often a focus for hurrying on to a receding future, [or] hankering after an imagined past. Many memories of matches remembered; of dreams and hopes for the future. The rise and fall of emotion; the tears wept, the joy unconfined. They hold a sense of the numinous about them – the singing, swaying, the shared liturgy and language – even prayers (!) – they are almost religious in their fervour. No wonder some talk of sport as their faith, of the great venues as their cathedrals, temples. Bill Shankly, powerfully linked to Liverpool, is famously quoted as saying “Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that”.
I was recently reading back some of the witness stories of a number of Hillsborough survivors, and the camaraderie, the shared experience was a powerful memory; some saying the ‘we all came last year and we wanted to all come back again this year’ before the full portent of this particular pilgrimage unfurled before them.
Even after the catastrophe, faith remains a part of the story. I recalled in the previous blog post how 4 fans came in to our Hillsborough-local church on the Sunday morning, just hours later. To another one of those ‘thin places‘ where heaven comes closer to touching earth. To come to seek, to pray, to place a loved one lost in to the hands of God. Nearly every anniversary since the first, there has been significant input of hymns & prayers, along with speeches & memories, at each of the ceremonies.
In the poem, Thomas looks: to the miracle … to a brightness that seemed as transitory as your youth once, but is the eternity that awaits you.
Looking back to the 15 April 1989, though much remains sharp in the mind of each of those most closely affected by Hillsborough, inevitable some of the memories become a little faded, a bit more transitory each year; the images of the ever-youthful 96 remain unchanged, even as ‘those who are left grow old‘. Perhaps that is why there is still such a strong sense of hope around Hillsborough – a very Liverpool – characteristic, the city with two cathedrals linked by a street called Hope.
For RS Thomas, the brightness that has shone on this field leads at last to the eternity that awaits you. May it lead to eternity for you too.
The BBC has a Profile of each of the Hillsborough 96, and the Liverpool Echo has created an image grid that links to each of the 96 too.